Satan’s Moral Development: making sense of Milton’s Paradise Lost through the lens of modern theory

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ABSTRACT: Milton’s epic poem, Paradise Lost (1667), was originally interpreted as in line with traditional Christian themes; a moral piece of literature with the final conclusion that Satan (and man) must submit to the absolute authority of God. Near the end of the 18th century, William Blake challenged this view, relating Milton’s personification of Satan to Prometheus as a creature of nobility, righteously seeking justice and freedom. Later humanists followed Blake in claiming that Milton, ...

A brief exoneration of Satan: The inverse morality of Christianity and the restorative ethics of Alan Badiou

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(This was a project for my PHD studies.) Introduction: While Zizek’s radical postmodern Marxist-atheism openly discusses, criticizes and invokes the Christian tradition, Badiou’s treatment of religiousity is more subtle – and yet there can be no doubt that Badiou’s philosophy is heavily influenced by Christianity: he continuously refers to St. Paul’s experience of the Christ-Event as a primary example of the value of fidelity to an event (even though he denies that such an ...